Gannett News. After unsuccesfully searching for a French tycoon's missing daughter in Mexico, Campana (Depardieu) is grudgingly saddled with accident-prone accountant Perrin (Richard).">
Kino Lorber Education
Login/Sign Up  

Home About Terms of Use Ordering Information Reviews Newsletter Contact

SEARCH:


 PPR Only

BROWSE

New Releases
Title
Director
Country
Video Librarian
EMRO
NSTA
Educational Calalog

DIGITAL SITE LICENSE COLLECTIONS

American Independent Cinema
Contemporary World Cinema
Essential Classics
Film Studies Docs
Fine Arts
French Cinema
Middle Eastern Cinema & Culture
Modern Drama
Native American Studies
Religion, Philosophy, & Spirituality
Russian Cinema
Science
Shakespeare
World Politics

SUBJECTS

20th Century Politics
African Cinema & Culture
Agnostic
American History
Anthropology
Arts & Culture
Asian Studies
Buddhism
Christianity
European History
Film Studies
French Cinema & Culture
Gender & Sexuality
German Cinema & Culture
Jewish Cinema & Culture
Latin American Studies
Literature & Theater
Middle Eastern Studies
Music and Dance
Mythology
Native American Studies
Pagan
Philosophy & Science
Religion & Spirituality
Russian Cinema & Culture
Social Justice & Human Rights
Women's Studies

GENRES

American Independent
Avant Garde
Cannes
Cult
Documentary
Drama
Film Noir
Gay & Lesbian
Horror
Literary Adaptations
National Film Registry
Sci-Fi / Fantasy
Short Films
Silent
Women Directors
La Chevre

Director:
Starring:
Countries:
Subjects:
Genres:
Type: Color
Year: 1982
Language: French w/English subt.
Length: 91 mins.
Aspect Ratio: 1.85:1

 Email a Colleague
 
$189.00 - Buy Now   DVD – with PPR  
$599.00 - Buy Now   DVD – DSL w PPR  
$499.00 - Buy Now   DVD – DSL  
To purchase the DVD without PPR, click here to add to cart

DIGITAL SITE LICENSE (DSL)
This DVD is also for sale with a Digital Site License (DSL), which
allow colleges, universities or libraries to encode, locally host and
stream to their community on a closed system for the term of the
license.

Synopsis

In La Chèvre, French comedy writing sensation Francis Veber (Les Compères, The Tall Blond Man With One Black Shoe, La Cage Aux Folles) first teamed Tall Blond's Pierre Richard with Gérard Depardieu (Jean de Florette, The Return of Martin Guerre, Green Card), creating a wildly successful comedy duo unlike any the screen had ever seen before.

After unsuccessfully searching for a French tycoon's missing daughter in Mexico, Campana (Depardieu) is grudgingly saddled with accident-prone accountant Perrin (Richard), a would-be detective presumed to be so maladroit that he will accidentally lead Campana to the missing girl. Once let loose in Mexico, the question becomes whether Perrin will crack the case or crack his own skull first. As each pratfall brings the unlikely team closer to the missing girl, Campana transforms from dubious referee to helpless accomplice in Perrin's unending circus of accidents and contagious bad luck.

Depardieu and Richard's comic chemistry buoys La Chèvre's anarchic slapstick and biting shaggy-dog story with gentle whimsy and graceful humanity. Whether incredulously sinking in quicksand or buttering toast from a shirtsleeve swamped in breakfast debris, Richard plunges headlong into every catastrophe with inexhaustible fervor and recovers with equally inexhaustible dignity. Depardieu triumphs as a pragmatic private eye clinging to professional detachment as absurdity replaces logic and the line between clown and straight man irrevocably blurs. Though expertly evoking Hope and Crosby, the Pink Panther films and Buster Keaton, La Chèvre is catapulted into the pantheon of international movie comedy on the irresistible strength of its effortless and distinctively French flair.

Critical Acclaim

"(four-and-a-half stars) One of the funniest Gallic gifts in a long time. Richard and Depardieu make a charming hilarious comedy team peppering us with laughs galore." - William Wolf, Gannett News Service

"There appears to be nothing Gérard Depardieu cannot do well on the screen, even as a straight man teamed with the fabulously clumsy Pierre Richard." - Janet Maslin, The New York Times

Back to Index