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5 Broken Cameras
ACADEMY AWARD NOMINEE - BEST DOCUMENTARY FEATURE - An extraordinary work of both cinematic and political activism, 5 BROKEN CAMERAS is a deeply personal, first-hand account of non-violent resistance in Bil'in, a West Bank village threatened by encroaching Israeli settlements. Academy Award Nominee for Best Documentary Feature. |
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9 Star Hotel
This unflinching documentary follows Ahmed and Muhammad, two of the many Palestinians who illegally cross the border into the Israeli city of Modi�in in search of work. |
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Ajami
Nominated for a Best Foreign Language Film Oscar, Ajami is a bold crime drama set on the margins of an Arab ghetto. Working with a cast of non-actors in the real streets of Ajami itself, the film deftly meshes characters and conflicts with unsentimental compassion, uncompromising realism, and harrowing violence. |
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Ajami (Blu-ray)
Nominated for a Best Foreign Language Film Oscar, Ajami is a bold crime drama set on the margins of an Arab ghetto. Working with a cast of non-actors in the real streets of Ajami itself, the film deftly meshes characters and conflicts with unsentimental compassion, uncompromising realism, and harrowing violence. |
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Alila
Amos Gitai's ALILA tells the story of over a dozen distinct characters who inhabit an apartment complex located in a rundown neighborhood of Tel Aviv, Israel. |
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Arab Labor: The Complete First Season
This critically-acclaimed comedy series from Israel is about Amjad, a Palestinian journalist and Israeli citizen in search of his identity. This series pierces the taboos surrounding the prickly, long-standing status quo in which Palestinian and Jewish Israelis live side by side. |
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Beaufort
Oscar Nominee for Best Foreign Language Film, BEAUFORT chronicles the final days of an Israeli army unit's tense, painful withdrawal in 2000 from a strategic bunker inside a 12th century Crusader fortress near the Lebanese border, marking the end of nearly two decades of controversial occupation. |
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Devarim
DEVARIM is the first of Gitai's acclaimed trilogy of films about life in Israel's major cities (YOM YOM is set in Haifa and KADOSH is set in Jerusalem). Set in Tel Aviv during one very hot summer, it follows the intersecting lives of three young men: a photographer, a would-be musician, and a lawyer. |
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The Films of Amos Gitai
For the first time, Kino brings together six acclaimed films from world-renowned filmmaker Amos Gitai into one collection. Dealing with themes of homeland, exile, religion, social control and utopia, Gitai's personal body of work shines with a sense of urgency and political awareness. |
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A History of Israeli Cinema
Raphaël Nadjari’s extraordinary two-part documentary weaves together clips from more than 70 years of Israeli film with commentary from filmmakers, scholars and critics |
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Kadosh
"Incandescent" portrayals by two Israeli actresses illuminate the plight of women within Orthodox Judaism today. Using superb cinematography, ethnic music, and authentic Jerusalem locations, Israel's best known filmmaker renders a heartbreaking chamber story of two sisters and their broken marriages. Hands down the most internationally acclaimed and popular film ever from Israel. |
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Kedma
May 1948, some days before the creation of the state of Israel. Upon arrival in Palestine, a boat of concentration camp survivors is confronted by hostile British soldiers. The hopeful emigrants have then to follow the Jewish forces to immediately take up arms against the Arabs. |
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Kippur
Acclaimed filmmaker Amos Gitai's semi-autobiographical account of the 1973 Yom Kippur war from the point of view of a young soldier. Kippur is not a traditional "blood, guts and glory" war film.
There are no men in battle, only the rescue crews trying to pick up the
broken pieces. Kippur is the shell-shocked memoir of the director Gitai, himself a participant in the conflict, and of the days that changed his life forever. |
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My Father My Lord
"An astonishing debut feature."(Variety). The son of a respected elder in a cloistered hasidic enclave unwittingly runs afoul of his father's strict religious doctrine when childhood life prompts questions outside the confines of tradition. A family holiday at the seashore brings the ideological rift to a dramatically tragic climax. |
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Or (My Treasure)
Ruthie and Or, a mother an daughter, live in a small Tel Aviv flat, out of which the former has been a prostitute for the last twenty years. Or has tried many times to get her mother to quit working the street, but without much success -- and now finds herself caught in the same cycle of exploitation. Without lapsing into didacticism, iconoclastic director Karen Yedaya upends the cinema's glamorization of prostitution with a calm, yet impassioned, eye. |
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Saint Clara
A Russian immigrant teenager's clairvoyant powers create mayhem among the students at Golda Meir Junior High in this jumpy, highly energetic, off-kilter Israel where first love and the apocalypse seem interconnected. |
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Syrian Bride
Shot on location in the Israeli-occupied Golan Heights, The Syrian Bride is a powerful film about physical, mental and emotional borders and the courage it takes to cross them. |
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Tehilim
From director Raphael Nadjari. In contemporary Jerusalem, an average middle class Jewish family balances the rituals of family, friends, religion and workaday life. But when middle-aged father and husband Eli (Shmuel Vilozni) unaccountably vanishes after a fluke car accident, the ensuing legal and emotional crisis gradually immerses Eli's spouse and two young sons in a muted real-life nightmare redefining the boundaries of everything they know, love and believe. |
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Time of Favor
Winner of six Israeli Academy Awards including Best Picture, TIME OF FAVOR is a taut thriller about the volatile relationship between Orthodox nationalists and the Israeli army. Stars Assi Dayan as a charismatic West Bank Rabbi. |
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Watermarks
Debut helmer Yaron Zilberman's WATERMARKS is the story of the champion women swimmers of the legendary Vienna sports club Hakoah, a wildly victorious Jewish organization created in response to Austrian anti-Semitism. Alternating between historical footage and contemporary interviews with the women, the film reconnects the lives and memories of those who challenged the status quo -- and lived to tell of it. |
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Yom Yom
In YOM YOM, the second film in Amos Gitai's (DEVARIM, KADOSH) celebrated "City Trilogy," Israel's preeminent writer-director weaves, "a darkly comic tale of characters driven by divided loyalties and neurotic inhibitions" (THE VILLAGE VOICE) in the mixed nationality Mediterranean port city of Haifa. |
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