Queen Kelly

Directed by Erich von Stroheim

Release Year: 1929
Running time: 105
Country: U.S.
Language: English intertitles
Genres: Drama, Silent
Subjects:
Screening Request
Directed by: Erich von Stroheim
Crew: Eli Denson

It should have been a dream collaboration: a glamorous world-famous movie star (Gloria Swanson) and her financier lover (Joseph P. Kennedy) hire a celebrated director (Erich von Stroheim) to make a groundbreaking masterpiece. Instead, Queen Kelly was canceled mid-production and became the most infamous unfinished film in cinema history. Von Stroheim’s baroque and obsessive drama opens in a European country ruled by a mad Queen (Seena Owen) obsessed with her feckless fiancé, “Wild” Prince Wolfram (Walter Byron). The dissolute prince falls for an innocent but flirtatious convent girl, Patricia Kelly (Swanson), kidnaps her, and brings her to his rooms. When the Queen discovers the lovers, she horsewhips the girl. Returning to the convent, Kelly receives a telegram, summoning her to German East Africa, where her dying aunt begs the girl to wed the syphilitic owner, Jan (Tully Marshall) of the seedy brothel. Basing his reconstruction on von Stroheim’s original scripts, Dennis Doros has employed multiple techniques to recreate the film’s lurid dénouement. Featuring a new orchestral score by Eli Denson.

Reconstruction: Dennis Doros and Amy Heller, Milestone Film. Milestone is grateful to the George Eastman Museum (primary source), Library of Congress National Audio-Visual Conservation Center, Harry Ransom Center, and John F. Kennedy Presidential Library for providing original 35mm nitrate materials, photographs, and papers used to create this new version. 4K digital stabilization, timing, and cleanup by Metropolis Post, NYC. Colorist: Jason Crump. Digital restoration artist: Ian Bostick.

Reviews

“In the long history of Hollywood excess, there is no tale as torrid as that of Queen Kelly… an outlandish saga of illicit love in sordid surroundings…This new restoration may just be everything that [Gloria] Swanson dreamed of for her lovechild Queen Kelly."

Pamela Hutchinson, The Guardian
 

“A spectacular, fanatically ornamental, yet harrowing masterwork of erotic ecstasies and horrors.”

Richard Brody, The New Yorker
 

“'Queen Kelly' lives up to its legend…a work of barbaric splendor.”

Kevin Thomas, LA Times
 

“A glorious celebration of film culture.”

Chris Vogner, Boston Globe
 

“A piece of cinematic history that is certainly worth it to devout fans of the cinematic medium”

Jacob Mauceri, InSession Film
 

“One of the great lost films has finally been restored to us… so fascinating that any student of cinema needs to see this immediately.”

Sarah Manvel, In Their Own League
 

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